Gould was renowned for his peculiar body movements while playing (circular swaying; conducting; or grasping at the air as if to reach for notes, as he did in the taping of Beethoven's Tempest Sonata) and for his insistence on absolute control over every aspect of his playing environment. The temperature of the recording studio had to be exactly regulated. He invariably insisted that it be extremely warm. According to Friedrich, the air conditioning engineer had to work just as hard as the recording engineers. The piano had to be set at a certain height and would be raised on wooden blocks if necessary.A small rug would sometimes be required for his feet underneath the piano.He had to sit fourteen inches above the floor and would only play concerts while sitting on the old chair his father had made. He continued to use this chair even when the seat was completely worn through.His chair is so closely identified with him that it is shown in a place of honor in a glass case at the National Library of Canada.
Wednesday, September 23, 2009
Glenn Gould's Chair
Gould was renowned for his peculiar body movements while playing (circular swaying; conducting; or grasping at the air as if to reach for notes, as he did in the taping of Beethoven's Tempest Sonata) and for his insistence on absolute control over every aspect of his playing environment. The temperature of the recording studio had to be exactly regulated. He invariably insisted that it be extremely warm. According to Friedrich, the air conditioning engineer had to work just as hard as the recording engineers. The piano had to be set at a certain height and would be raised on wooden blocks if necessary.A small rug would sometimes be required for his feet underneath the piano.He had to sit fourteen inches above the floor and would only play concerts while sitting on the old chair his father had made. He continued to use this chair even when the seat was completely worn through.His chair is so closely identified with him that it is shown in a place of honor in a glass case at the National Library of Canada.
Tuesday, September 22, 2009
Bar Olivino Reading #2 in Fort Greene
Come join us this Wednesday for prose and wine!
Bar Olivino presents a literary reading with
LIZZIE SIMON**AUBREY LEVITT**LORRAINE MARTINDALE
Wednesday, September 23, at 7pm
**
Bar Olivino
905 Fulton St (near Vanderbilt)
Brooklyn, NY 11238
(718) 857-7952
1 block from Clinton/Washington Ave. C stop.
Also near Atlantic Ave B, Q, 2, 3, 4, 5; Pacific D, M, N, R; and
G to Clinton Washington
Sunday, September 20, 2009
So Many Important Things
An Interesting Project in which I'm involved, created by Jason Grote and Karinne Keithley, for The Conflux Festival on art and technology.CONFLUX
The art and technology festival for the creative exploration of urban public space. Produced by Glowlab in New York since 2003.
Read the instructions below. Download link is at the bottom of the page.
This is a walking tour of anywhere. How this worked was this way: we approached multiple associates from around the world (novelists, poets, playwrights, journalists, academics, visual artists, the unclassifiable, and people who are not writers of any stripe) and asked them for psychogeographical travelogues. In return we got texts from as close as Midtown Manhattan or as distant as Jerusalem or Port au-Prince. In one case we even got a travelogue of someone's dreams. We also dropped in a few small pieces of found text by authors we do not know, and wrote things to stitch the piece together.
Is this an exercise in accidental psychogeography and pattern recognition, sort of like when you listen to "Dark Side of The Moon" while watching The Wizard of Oz? Or is it, as one friend put it, an exercise in "the vertiginous cosmopolitanism that psychogeography is designed to avoid?" We don't know. Also, you are smart and will be able to figure out what you think without us telling you.
Do this: download the linked file to your personal listening device. If you do not have an mp3 player, email Jason at jason (at) jasongrote.com and he will mail you a CD. Then, choose one of the five paths below and follow the walking tour. Have fun!
1) Once you have finished loading the audio onto your mp3 player, exit via the nearest door. Take a right. Follow the instructions on the audio.
2) Walk towards a place that you find dangerous for whatever reason. Get as close as you can to this place without risking your personal safety. Without crossing whatever your own boundaries are, follow the instructions on the audio.
3) Extinguish all of the lights wherever you are and lie down on the floor. In your imagination, follow the instructions on the audio.
4) Walk to a place you have never been but have always been curious about. Once there, follow the instructions on the audio.
5) Look at this graphic, either on a screen or printed on paper, while you listen to the audio. Enter the world of the picture and follow the instructions on the audio.
Download the audio tour
If you have any problems with the download, email jason [at] jasongrote.com
CREDITS:
Conceived, edited, produced, and directed by Karinne Keithley and Jason Grote, and performed by Jenny Seastone Stern. Written by Annie Nocenti, Amber Reed, Carlos Murillo, Drew Haxby, Elana Greenfield, Guy DeBord, Jason Grote, Jen Collins, Jennifer Dumpert, Jennifer Michael Hecht, Karinne Keithley, Leah Souffrant, Lorraine Martindale, Matthew Burgess, Mimi Lipson, Peggy Nelson, Rebecca Solnit, Susan L. Miller, and Walter Benjamin.
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